![]() Since pressing the A and B pedals will flatten the Es, especially the 8th, the chart must account for that.Ģ) How the player uses a string. Paul, three things influence tuning charts, all of them vary with the player and/or guitar.ġ) Cabinet drop. Mullen G2, Rittenberry S10, Infinity D10, Zumsteel 8+9Īnderson, Buscarino, Fender, Roman Guitars, Sarno Octal, Revelation Preamps, BJS BARS, Lots of Blackface Fenders! I know this probably is complicated sounding, but this has WORKED for me very well.It would probably be a good idea to sequence this, and construct a YouTubeĢ017 MSA LEGEND XL D10, S10, Studio Pro S12 EXE9 String 4 B+C Pedal, tune string 1 to this F#, and to string 7 (Cabinet drop comes into play here) I have abandoned the Es 2.5 above, for the 0E9 as well.and the C6 temper tuning on the flip?.forget it.Ī+B pedal, lower string 2 to C#, and tune to to this tempered C# on string 5 String 7 Whole to G# in tune with 3+6 open String 9 now tuned to 5th A, String 6 with A+B engaged String 2 half-step pull to E in tune with 4 open, 2 open in tune with 4 lowered. Octaves for stings 3+6 (A+B, A NOTES) in tune with 5ths (Es) Major 3rds using A+B, string 5 and 10 lowered another 2 cents, and open G#s 3+6 lowered 2 cents 5th intervals can be found all over the guitar and this is where i was having issues.Here is what ive been doing recently to supplement the presets. ![]() I had issues with the M3rd intervals as well as the 5ths, and octaves, which in my mind need to be tempered differently from the presets. After 7 years of using one I find that its not quite as precise as I had hoped, when it comes to MY guitars anyway. When I first started using the Peterson I found it to be a very useful tool in getting my guitars as close as possible to being tempered properly.
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